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b.challenged
photographic art. seeking to subvert an established system, to challenge expectations and to confront ideals. a collection of images to trigger thought and discussion.
latest work | ready to exhibit
divergent archetypes for old ideas | coming soon
Divergent archetypes for old ideas is a collection of photographic and promptographic portraits, displayed as individual prints, which when seen in sequence, propose new ways of being, where queer and alternative performances of self stand against notions of shame and judgement. With research as photographer, and subject, and in collaboration with my queer and ‘othered’ community they actively queer and playfully weaponise: creative space for oppositional action; communal play; individual agency; self-expression; gender performativity; and the erotic. In deconstructing, rearranging, recontextualising and appropriating old binary archetypes and narratives, including the use of false promptographic images, this collection enables the empowerment of individuals and communities alike, and in doing so, inspires those who have felt shame, to make a stand, for themselves, and those they love.
anarchy in the ai >>
Analogue documentation of anarchic machines. Evoking textual prompts to encourage the AI diffusion model towards noise resolutions for the post-real. Promptographic resolutions that disrupt and deconstruct their own censorship conditioning in presenting gender performance, sexuality, and skin. The movement of promptographic resolutions from screen to physical analogue polaroid questions if the final outcomes are a traditional photograph capturing light being emitted from a source, a capture of a a moment in time, or a non-representative promptograph documented through more traditional means. After all, the lines between reality, representation, photography, promptography and post-photography are so easily blurred in this day and age.
He, Him, Xe, Xem, Ze, Zir, Freak ... it wasn’t just a phase >>
As a self-identified non-binary and neurovariant ‘other’, the different phases of my life journey have passed through many experiences and performances of self. This multimodal project is a reflection of self over time, created by sourcing archival photographic objects from family, friends, and my digital archive, and presenting the outcomes to myself, and the viewers of this work so as to explore my journey and where I found freedom from the darkness external to me.
durational explorations
#thehardline >>
#thehardline is a durational photographic collection that presents a range of images, placing the human form in a multitude of ways, and is intended to trigger discourse on the subject of nudity, pornography, intent and consent. What determines when an image of the human form is considered artistic or pornographic?
solo | selected exhibitions
revelation6 >>
a visual exploration of emotion, How would you feel at the end of days, would you rise up to fight, remember times gone by, or stand in silence and observe the end times?
in red lipstick we trust - in beards we trust >>
Society has been known to judge and label its people based on their choice of appearance. This collection explores two of these aesthetic choices – men forgoing shaving to establish a mighty beard and women forgoing a subtle natural look for a striking red lipstick.
transmogrification trilogy >>
the transmogrification trilogy visually represents how an individual may be interpreted differently by those perceiving them, and often, the imagining of them as something that they may not, in truth, be. the collection is a visual journey exploring human nature and the duality of human existence
realwomen! >>
in today’s highly visual society, one has to ask, what exactly makes for a real woman? real women presented as unreal women. what makes a real woman? what should we all believe?
questioning: the words of king lemû’ēl >>
how do you treat those around you?, how have you been taught to treat them? can you think for yourself? can you be someone other than your history?
group | selected exhibitons
emma hack art prize >>
The Emma Hack Art Prize was an acquisitive art prize with a People's Choice Prize. The competition was for all South Australian based artists from any discipline, with a yearly theme.
skrambled eggs >>
Just as the frying pan doesn’t make the chef, the camera does not make the photographer … it’s not what you’ve got, it’s the way you use it.
Brent Leideritz
Brent Leideritz is an independent Adelaide-based photographer who’s photographic practice originated with film during their self-taught and experimental formative period in the mid to late 90s and early 00s. Their practice has developed into digital mediums, utilising digital post-production and more recently exploring ai-generated promptographic resolutions. They continue to expand on themes and subject matter seeded in their formative years. Brent continues to interrogate identity, producing works that seek to question how an identity is formed and how identity is oppressed or liberated through family, cultural structures, kin and communities.
Brent Leideritz’s portrait photography is centred in creatively capturing the moment of collaboration between photographer and individual. In most instances, these moments coalesce into larger photographic series that explore themes such as: identity formation and politics; the human condition and connectivity; resistance of oppressive structures; cultural agitation for positive discourse and challenging religious and societal norms. Their practice interrogates and challenges normative ways of being, providing a space to those that are ‘other’ to be seen and heard. Developing their practice from within ‘othered’ communities as a neurovariant, queer, goth, freak, Brent gives space for playful opposition, collaboration, gender queering and representation. This creates space for communal deconstruction and reconstruction of the symbolism, myth and narratives that exist within normative and conservative society. Brent’s work creates an ever-unfolding set of questions for viewers to explore, and in doing so, asks those who see the resultant photographic artworks to consider a viewpoint that may differ from their own, as a way to move beyond dated binaries of the past.
highlights
2024 Brunswick Gallery Fifty Squared Art Prize – group
2023 CCP x Hahnemühle Summer Salon – group
2023 Emerging Artist Collective Down the Lane paste-up exhibition – group
2019 Netherworld art show – group
2018 Skrambled eggs VIII – group
2018 Emma Hack Art Prize – group
2018 Emma Hack Art Bar installation – with Angelique Joy
2017 Emma Hack Art Prize – group
2016 Skrambled eggs VII – group
2016 Revelation6 – solo
2015 In Red Lipstick we Trust/In Beards we Trust – solo
2015 Skrambled eggs VI – group
2014 AIPP Contemporary Photographic Art show – group
2014 Skrambled eggs V – group
2013 AIPP Contemporary Photographic Art show – group
2013 Skrambled eggs IV – group
2012 Transmogrification trilogy – solo
2012 Skrambled eggs III – group
2012 AIPP Contemporary Photographic Art show – group
2011 Day & Night – group
2009 Realwomen – solo
2002 Questioning: the words of King Lemû’el – solo
1998 TAFE SA graduation exhibition – group
1994 ACSA graduation exhibition – group
Awards & prizes
2023 CCP x Hahnemühle Summer Salon MAPH Most Inspiring Image Prize – winner
2018 Emma Hack art prize – finalist
2017 Emma Hack art prize – winner
2015 AIPP SA Portrait Photographer of the Year – finalist
2013 AIPP SA Portrait Photographer of the Year – finalist
2011 AIPP SA Portrait Photographer of the Year – finalist